90
3.0

海龟故事

导演:
Luc Campeau
主演:
Noah Schnacky,玛丽·蕾切尔·达德利,Isaiah McCaffrey
别名:
未知
3.0
90人评分
英语
语言
2015-11-07
上映时间
未知
片长
简介:
TURTLE TALE is inspired by events that took place at the George C. McGough Nature Park in Largo, Florida - the story of JR the OWL as witnessed and told by the nature park's first inhabitants, 'THE TURTLES'. The turtles, HANK, RAFI and GOLIATH, and their community live in a beautiful pond with nice clean water, lots of food and are witnesses to all the events of the park as they get ready for another busy summer camp season, never suspecting what is about to happen at the park and to themselves.  一群青少年、一个野生动物公园、一个夏天组合在一起,以海龟的视角发生的一段故事。
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简介:A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.  Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
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