戏命师之飞天神兽

简介：巴里（汤姆·克鲁斯 Tom Cruise 饰）是隶属于美国航空公司的一名飞行员，长期遭受公司压榨的他被中情局特工蒙迪（多姆纳尔·格里森 Domhnall Gleeson 饰）招募，蒙迪将巴里派往南美洲，进行秘密的任务。　　某日，大毒枭巴布洛找到了巴里，命令巴里替他运送毒品至美国国境之内，碍于自己的身份和所背负的任务，巴里只得就范。当巴里的运毒行为曝光后，为了保护这位特工，蒙迪挺身而出，将他和他的妻子露西（莎拉·赖特 Sarah Wright 饰）送往位于阿肯色州的一个偏僻小镇保护了起来。巴里的生意越做越大，他不仅继续运送毒品，甚至还做起了贩卖军火的生意。

简介：

由于人类利益熏心的商业科研行为，导致引出了南极深海巨型章鱼对南极国际科考站的报复，南极洲交通运输队员韩炼被卷入这场灾祸，为了将罗莎和队友强子带出，与巨型章鱼展开殊死搏斗，最终逃出生天。

简介：

美国唯美主义者菲利克斯·普菲弗勒继承了一盒神秘信件，迫于压力，他踏上了毕生难忘的旅程，追寻信件的源头：神圣罗马帝国皇帝的最后一位继承人，年迈的奥托·冯·哈布斯堡大公爵。菲利克斯的追寻之旅横跨美洲，跨越大西洋，甚至更远。然而，时间却在另一端流逝——菲利克斯的父亲正因亨廷顿舞蹈症而濒临死亡，这是一种无法治愈的遗传性疾病，菲利克斯有百分之五十的几率患上这种疾病。最终，《菲利克斯·奥地利！》讲述了一个充满普世意义的故事，讲述了一个人敢于追梦时，那些决定人生的激情、恐惧以及最终的胜利。

简介：

　30多年来，特瑞·吉列姆一直梦想着将塞万提斯的杰作改编成电影作品。2000年，当他第一次尝试拍摄时，他成为了为梦想和艺术与好莱坞工业机器斗争的骑士。然而，这部改编作品命运多舛，让他变成了荒唐理想主义者的代名词。本片记录了他在17年后再次重启并完成《这个男人来自疯狂世界》的故事。他不仅要面对预算和妥协，还要接受自我怀疑和衰老。结合身临片场的镜头、导演访谈和档案录像，向观众展现了吉列姆无尽的想象力及沉思：当一个艺术家完成了他职业生涯中大部分的追求时，他还剩下什么价值？

简介：

改编自经典童话《木偶奇遇记》，讲述老木匠（罗伯托·贝尼尼 Roberto Benigni 饰）雕刻的木偶机缘巧合下获得生命，被木匠当作自己的儿子，并取名“匹诺曹”（费德里科·伊帕迪 Federico Ielapi 饰）。木匠耐心地教导匹诺曹，可贪玩的匹诺曹却跑到马戏团看木偶戏，并因此开启了一段离家之旅。

简介：西德影片《古堡幽灵》是一部政治讽刺剧。它具有独特的艺术表现手法和风格。不仅片中有大段的说唱，而且连片头字幕上导演、演员、工作人员的名单，也是以说唱形式来表达的。另外，情节的编排和人物的描述，都使人感到妙趣横生。这部影片拍摄于五十年代，它配合当时的政治形势，对西德复活法西斯主义给予辛辣的讽刺。　　序幕开始，一百多年前一伙绿林好汉被官府捕获。官府把他们关在一个酒店的地窖里，垒上一堵墙，把他们活活憋死。百年以后，这个酒店被拆除了，这伙幽灵只好到附近的一座古堡里栖身。从此他们在古堡里神出鬼没，闹得不亦乐乎。古堡的主人是一个负债累累的伯爵小姐。她的债主一心想迫使她以古堡抵债，但她坚决不肯。　　债主的儿子奉父命混进古堡来查看建筑的结构，不料他和伯爵小姐一见钟情，马上和她站在一边反对自己的父亲。这时，适逢当局要借用古堡接待一位外国亲王。幽灵们为了帮助伯爵小姐摆脱困境，他们盗窃了亲王的珠宝送给伯爵小姐，结果反而害得她坐了牢。幽灵们立刻四处营救，他们出现在波恩的街头和商店，到处兴风作浪，并且还到法庭上为伯爵小姐申辩，自称是幽灵，引得哄堂大笑。旁听席上有个美国人对他们大感兴趣，愿以重金聘请他们去当宇航员。幽灵们就将这笔巨款赠给伯爵小姐，而他们则乘上火箭飞向月球。　　影片以这个信口编造的故事，讽刺当时的政治、世道和形形色色的社会丑态，让观众在笑声中去好好思考！

简介：　　女孩乔伊（布丽·拉尔森 Brie Larson 饰）被一个叫“老尼克”的男人拐骗，之后被他囚禁在其房子后院的棚屋里长达七年之久。在此期间她遭到强奸，并生下儿子杰克（雅各布·特伦布莱 Jacob Tremblay 饰）。靠着老尼克时不时的物资补给，母子二人艰难度日。尽管如此，母亲还是竭尽所能，为儿子杰克创造了一个安全而开心的成长空间。这个狭小逼仄的房间，成了杰克生活成长的神奇小天地。在杰克度过了他的五岁生日后，母亲决定告诉他真相，在这个小小的房间外面，有着更广阔的世界。他们开始策划逃跑计划，决心要逃出这个囚禁他们的房间……
　　本片根据艾玛·唐纳修的同名小说改编。

简介：　　In Skazka, Alexander Sokurov weaves digital magic to create a phantasmagorical vision of the Afterlife, worthy of Dante. But wait: are we in the limbo of Purgatory, or a paradoxical Paradise reserved for notorious men of world history? Mussolini, Stalin, Hitler, Churchill and more: all are present and accounted for. Since they exist only as archival media images, each figure comes in a serial set.
　　In the blackest of political comedies, these fallen men beg, in turn, to be let through Heaven’s Gate – but the angels who peek through never open wide. Little wonder, as the former leaders wander listlessly, bitching (in a Babel of multiple languages) about each other’s clothes, hair and hygiene.
　　In what is effectively a work of animation, Sokurov has pulled together many talents into an extraordinary technological feat. It blends pictorial elements from art history to form an endlessly unfolding landscape, replete with fog and ghostly armies of the sacrificed victims of history. Announced as Sokurov’s last film, Skazka is an inspired riff on the high culture of Peter Greenaway mixed with the low culture of mash-up artists Soda_Jerk. Can we now expect some entrepreneur to bring us the interactive Skazka video game?

简介：　　当两个单词被连字符相连，新的词语和词义诞生了。当两个人相遇、相识，是“我们”还是“你”和“我”？生活在菲律宾的日语翻译洁米接下一部电影的字幕翻译工作，由此结识日本导演诚。工作之余，两人徜徉在街头小吃、酒水和洁米自创的虚构语言世界中，渐渐在彼此身上发现他们从未意识到自己需要的东西。披着爱情片的外衣，本片企图打破脆弱的语言“外壳”，探讨人与人之间那些只可意会的时刻，与言犹未尽的遗憾。

简介：A grieving man discovers that the seemingly quiet town is hiding a very terrifying secret. Now he must find a way to overcome his grief and fight back against the darkness that has consumed the town and its people.

简介：On a tramway that connects several of Jerusalem's neighborhoods from East to West, a mosaic of people from different religious and ethnic backgrounds are brought together

简介：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.