远古外星人 第十九季
6.0 |2025年12月10日 |片长45分钟 |第20集完结 |共20集
简介:

 《古代外星人》节目组探讨了外星人造访地球已有数百万年之久这一有争议的理论。从恐龙时代到古埃及,从早期洞穴绘画到美国的目击事件。每一集都为围绕问题辩论、第一手资料和基础理论提供了历史性的深度。几千年前,来自外太空的智慧生物是否曾造访过地球?

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主演:艾瑞克·布里登,马里昂·罗斯,苏珊·克拉克
简介:Eric Braeden stars as Dr. Charles Forbin, who has created a supercomputer named Colossus, built solely for the purpose of controlling the nuclear defenses of the Western alliance. It isn't too long after, however, that the Russians announce that they too have built a similar computer for those same purposes on their side--Guardian. And when the two machines begin sharing information at a speed nobody can believe, an attempt is made to disable them.  This unfortunately just raises the machines' ire; and in retaliation, they launch their weapons at each other's home nations. The result is a chilling scenario that is potentially becoming all too real these days.  COLOSSUS THE FORBIN PROJECT was not a big hit at the box office for various reasons. One is that its cast wasn't exactly well known. Another reason is that its ending isn't exactly a happy one. Still a third reason is that Universal had trouble trying to promote it in the wake of the huge success of Stanley Kubrick's 2001 A SPACE ODYSSEY. The latter reason is obvious Colossus and Guardian, like HAL in the Kubrick movie, become central characters here. The difference here is that while HAL malfunctions due to a programming conflict, Colossus and Guardian remain all too stable, convinced beyond a doubt that they know how to protect Mankind better than Man himself. As the computers point out One inevitable rule is that Mankind is his own worst enemy.  Joseph Sargent's direction is efficient, and the special effects work of Albert Whitlock still manages to work despite its obvious age. An overlooked gem in the sci-fi genre, this should be given a revival.
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巨人:福宾计划
主演:艾瑞克·布里登,马里昂·罗斯,苏珊·克拉克
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简介:Divided into three kingdoms -- Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) -- Notre Musique is an indictment of modern times.    頑皮老頭高達在新作挑釁如常,堅持如舊,對電影愛情如一,但從形式到內容,卻續有新境。比前作《愛之頌》更練達更擊中要害,是他近年最激的反思作品。三段結構的開篇〈地獄〉,戰地實錄與荷里活戰爭片交替,寓意彰甚:人類真會嗜戰。〈煉獄〉借薩拉熱窩做說書人,真實與虛構人物(包括高達自己)到此舉行文化圓桌會議,大家在寬恕迷宮中兜轉,唯有佇立已修復的莫斯塔古橋,才感一絲希望。高達最後領我們到〈天堂〉,人間竟有春色如許?但-有美軍駐守!全片最動人一幕:學生問 DV 可否打救電影?高達哀哀面向鏡頭,良久不語......
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