邪咒迷情

简介：星期五、球場、冰淇淋、口水病、少女、男孩。

简介：

艾洛: 拉普兰之旅讲述了一只小野生驯鹿为生存而战的故事，它在第一年里面临着各种挑战，身体虚弱，不堪一击。

简介：一个刚死了丈夫的寡妇独自开车出城想缓解悲痛，却被一个陌生男子跟踪、绑架，关在人迹罕至的林中木屋里，并告诉她自己不是初犯。顽强的女子拼命逃了出去，在林间、河水里与残忍的绑架者展开周旋。

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六岁的左晨有一个怀表，拨动怀表发条就会打开一个倒置世界，这让她十分疑惑。 大学毕业，中文专业的她竟然报考《天体物理学》研究生。为的就是想解开怀表的谜题。 机缘巧合下，左晨发现自己来自于未来，那怀表则是可以穿越到过去平行时空的装置。 男友一瞬会在2018年6月7日车祸死掉，为救一瞬她只能一次又一次的穿越回车祸之前。但每一次穿越记忆都会消失，导致她每次都不记得自己的使命而错失拯救良机。 悲剧不断重演。 在男友、小吴教授、室友湘子的帮助下，终于发现自己穿越的秘密。 左晨用怀表穿越到137亿年前宇宙大爆炸的奇点，重历创世，沿着时间长河经历沧海桑田、时光变迁，回到当初两人相遇的平行时空里。 一瞬得以拯救，两人的故事重新开始 ...

简介：科学家创造了两栖超级士兵并引爆了一枚核弹。在余波中，一个怪物来到了日本，使日本毫无防备。人类唯一的希望是一个心中充满死亡的水妖。

简介：

以真实历史中的大理皇帝段和誉为创作原型，讲述了段和誉在国家内忧外患之际为防止生灵涂炭，以身犯险，只身前往西夏寻找可护佑家国的八件图腾之一的双琵琶，在阴谋与危险中最终成功守护家国的传奇故事。

简介：

本片以地方特色忘的味道；在烹炸煮刷中，感受大厨秘不示人的厨艺；在大厨的超凡故事中，感悟不一样的美食为线索，寻访了12位不得了的大厨。在酸辣甜咸中，回味那一口难人生。

简介：一个绝望的前科罪犯为了从一个危险的当地犯罪团伙手下解救她的妹妹，不得不重新组织起旧时的队伍。

简介：

故事改编自著名的二战军事事件“敦刻尔克大撤退”。二战初期，40万英法盟军被敌军围困于敦刻尔克的海滩之上，面对敌军步步逼近的绝境，形势万分危急。英国政府和海军发动大批船员，动员人民起来营救军队。

简介：

一位寡妇发现她最近去世的、深爱着她的丈夫实际上是一个连环杀手，并让她在不知情的情况下成为隐藏尸体的帮凶。

简介：

雷纳·温恩 (Raynor Winn) 的畅销回忆录《盐路》讲述了一对夫妇在为期一年的沿海徒步旅行中失去了家园，几天后发现丈夫被诊断出患有绝症的故事。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor