天使之城

简介：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.

简介：

關於希特勒从一个失败的画家和极右翼活动家，当选为德国总理，直至第二次世界大战的开始的一部影片，共兩集。

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个人造型师罗西·平克搬到芝加哥，在那里创办了自己的时尚造型公司，为顾客提供时尚改造服务。她聘请摄影师杰克森·布鲁克斯为她和客户拍照，这有助于推广公司业务。作为回报，她允许杰克森将这些照片添加到他的作品集中。罗西和杰克森在合作中的关系越来越亲密。罗西的生意蒸蒸日上，她帮助客户进行时尚和生活方面的选择。她还为几位朋友牵线搭桥。然而，当杂志造型师的工作机会到来时，罗西的日程安排变得非常紧凑，她不得不决定自己真正想要什么。——帕特里克·林

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镜头中出现一男一女争吵的声音，然后是黑白画面；然后是一系列闪回，他们相遇、结婚并组建家庭。男的是 Joaquín，一位脾气暴躁的广告主管；女的是 Angela，他们相遇时是一名接待员。随着每次事件的破坏性越来越强，他们的关系也开始破裂。Angela 的朋友和知己是 Joaquín 老板的妻子，所以他们的问题也影响到了他的工作。他拒绝寻求帮助，随着他变得越来越具有威胁性，法律也无能为力。其中一个人的死亡是结束这一切的唯一方法吗？闪回从何而来？

简介：　　血滴子第一代傳人封神無忌，甘為清庭鷹犬，與其師姪左龍、左虎狼狽為奸，無惡不作，專門暗殺明末忠良志士，獨臂拳王俞天龍，不甘清庭暴政，設正德武館授徒，暗中聯絡有志反清復明志士共圖大計，左龍、左虎二人先後被除，人心大快。封神無忌接鴿子傳書，知師姪被殺，大怒，誓言找獨臂拳王報仇……

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本片讲述一心自主创业的富二代乔嘉木在与绝症女租客蓝雪的相处中，两人逐渐从互相讨厌到最后惺惺相惜的爱情故事。在蓝雪的感染下，乔嘉木从一开始的稚气未脱、行事冲动到为守护爱人、承担家庭责任变得成熟稳重，并最终领悟了生命与爱的真谛。表达了金钱不是定义成功与幸福的唯一标准，对生命意义的思考、对家庭的担当、对人间真情的守护、对社会正能量的传达，才是当代青年人要去树立和追求的正确价值观。通过讲述男女主的爱情故事发挥了影片积极弘扬社会主义核心价值观，传播正能量，引导受众，感染社会，给人以温暖和信心的作用。

简介：实地探访以色列和巴勒斯坦地区。

简介：文德斯1995年的纪录片，其实是他在慕尼黑电影学校教学期间鼓励学生们一起跟他玩的纪录片。纪录片献给了德国电影先驱　　与卢米埃尔几乎在同时发明电影的德国人马可斯兄弟。因为素材少，于是就用默片的方式来搬演。影片前15分钟可以单独成章，是用马克斯女儿的旁白来演出父亲如何发明活动影像。随后才放入当时已白发苍苍的女儿露西的访谈。　　文德斯还嫌玩得不够，于是把照片里的三兄弟之一和露西的姐姐一起请出来，黑白的他们和彩色的世界。又是一出天使下凡的《柏林苍穹下》，那些漂亮的移动镜头配合了先人抬头观看的黑白画面，说不出的美丽。

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尼古拉斯·凯奇和乔尔·金纳曼将主演心理惊悚片《同情恶魔》(Sympathy for the Devil)，尤瓦尔·阿德勒(《生死狙击》《女特工》)执导，卢克·帕拉迪斯编剧，正在拉斯维加斯拍摄中。

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盧卡斯和克洛伊對解謎遊戲有極大的熱情，他們參加了一個充滿謎團的逃脫遊戲「妄想症」。在滿懷信心地解開一道道謎題後，兩人跟隨線索來到了最後關卡的所在地—一座廢棄的精神病院。在那裡還有另外四名玩家等著他們，隨著遊戲進行，殺戮也跟著展開，參賽者們很快就明白，他們之中只有一個能活著走出去……。

简介：　　Based on the book of The Shadow World, this feature length documentary is an investigation into the multi-billion dollar international arms trade.
　　Directed by Johan Grimonprez and based on Andrew Feinstein’s globally acclaimed book The Shadow World: Inside the Global Arms Trade, the film SHADOW WORLD reveals how the international trade in weapons - with the complicity ofgovernments and intelligence agencies, investigative and prosecutorial bodies, weapons manufacturers, dealers andagents - fosters corruption, determines economic and foreign policies, undermines democracy and creates widespreadsuffering. SHADOW WORLD posits an alternative through the experience of a peace activist and war correspondent, aswell as the stories of Eduardo Galeano. But ultimately the film reveals the real costs of war, the way the arms trade drives it, how the weapons ofwar are now being turned against the citizens of liberal democracies, and how the ‘shadow world’ is taking over. In the hopes that in understanding how our realties are being constructed, audiences may see through this horror, and create a better future… (more info on cinando.com)