房间里的成年人

简介：

通过采访以及球员自己录制的首度公开的录像，这部纪录片回顾了巴西打入 1994 年世界杯的旅程。

简介：讲述了一个孤独症家庭，在社会各界的帮助下，为梦想不懈努力、执着奋斗的故事，呼吁全社会对残疾人的理解和关爱，传递了满满的正能量，弘扬了社会主义核心价值观。

简介：

BNK48 的八名成员包括：Noey、Kaew、Mobile、Namneung、Kaimook、Namsai、Tarwaan 和 Pupe。在电影中，女孩们正在从事一个秘密的特别项目。他们必须在伊桑停留一段时间。女孩们很难适应新的环境和陌生的当地食物。他们必须创作一首结合流行音乐和伊桑音乐的歌曲。

简介：　　Two working class youtubers ‘in the making’ enter an abandoned mansion to get their basketball back, and get lost inside while pranking each other. They record their ‘quick adventure’ with their phones for their audience, and tweak it with a fake phantom appearance to attract more followers to their YouTube channel. When uploaded the video goes viral, so they start a challenge: if the video reaches a certain number of views, they will enter the house again, at night, alone, totally unprotected. As fans react positively, they will do as promised, not only to discover and unveil the true nature of the place and their inhabitants, but to realize they might not be among the living anymore. Which opens a question - how far would you go to be famous?

简介：翻拍自法国电影《无法触碰aaa。故事改编自真人真事，在一次跳伞事故后，富有的贵族下肢瘫痪，生活无法自理，因此他找了黑人青年来家里帮佣。这是一位底层出身的年轻人，刚从监狱出来。两个世界碰撞、融合，一段不可思议的奇妙友情诞生了。

简介：

这是一部以真人真事为基础改编的实验电影，讲述一个上海大公司女白领和大理本地男人相恋又错过的爱情故事。故事由女主角的第一视角展开，在她的意识流动中，往事与当下、目的地和远方、生与死……一切都亦真亦幻。这似曾相识的感觉，是记忆还是幻觉？是梦境还是真实？也许正如三毛所说——“爱情有如佛家的禅，不可说、不可说，一说便是错”。影片多维叙事，在剧情中插入纪实采访段落，期望引发观众对爱情的思考。编导演等主创人员都是在大理本地定居的街坊邻里，出演本片的非职业演员都是第一次演戏，本片也是导演的第一部电影长片处女作。

简介：　　《故事》描绘了了聚集在一个空间里的人们聊天时发生的骚乱。
　　郑进永将以解决师的角色登场。澯熙将饰演一名来打工时被卷入事件的就业准备生，他将作为主角带领电影。（by 哎一股清流）

简介：　　《黑色乙女Q&A》聚焦在一名福利院长大的少女，她被一个富裕而善良的家庭收养，但知道了家族的某个“秘密”后，她被卷入了跌宕的命运中。
主人公芽衣由浅川梨奈饰演，在芽衣之前被收养的孩子Lana，由北香那饰演。佐藤佐吉担任编剧和导演。

简介：一个新家庭搬进了一个社区，希望能见到住在他们家的鬼魂。

简介：The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

简介：　　三个青春无敌美少女，不惜一切勇闯荷里活，一心成为明日之星。然而除了付出努力，她们还牵涉毒品、酒精、性 爱、甚至同性恋。难得遇上伯乐，她们的经理人为她们谱上一段不一样的人生。正当她们沉溺于纸醉金迷的酒池欲林之际……

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