冒牌卡萨诺瓦
7.0 |2025年12月10日 |片长86分钟 |正片 |共1集
简介:

故事发生在1757年的意大利。裁缝皮波(Pippo Popolino)为了吸引寡妇弗兰西斯卡(Francesca Bruni),假扮成了意大利第一剑客,也就是最著名的花花公子卡萨诺瓦(Casanova)。阴差阳错之下,皮波以卡萨诺瓦的身份,接受了一桩报酬丰厚的委托:前往威尼斯勾引美丽的当娜(Donna)小姐,她即将嫁进热内亚最有权势的家族。一连串意外的故事展开了...

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简介:A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.  Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
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